Chinese Philosopher 3x3½ inches by Kay Petryszak |
Gems of Empires 2½x3 inches by Janet Laird-Lagassee |
Side Door 1½x2¾ inches by H. Francis Sellers |
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MAA Mission
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Coastal Lights 5¼x3½ inches by Carlton B. Plummer |
Cottontail 3¼x2¼ inches by Tykie Ganz |
Near Bridge of Sighs - Venice 5x4 inches by Alan Farrell |
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MAA and Its Roots Miniature Artists of America, the first national society to honor outstanding practitioners of American miniature art, was founded in Clearwater, Florida, in 1985. In addition to recognizing leading contemporary miniaturists, its purpose is to broaden public understanding and appreciation of this ancient art form. An invitational organization, MAA accepts no more than ten artists each year into its ranks as Signature Members. The Jury of Admission selects candidates from artists who have been admitted to at least ten competitive shows staged by major nonprofit miniature societies in the United States within the previous five years and who have received awards from these shows. The Jury may also invite other outstanding professionals who work "in little" but who may not be associated with a miniature society. However, they must be nominated by three Signature Members and submit at least five works for review by the Jury. In many of the world's civilizations there was a fascination with creating in small scale. Ancient Greeks adorned their walls with small murals while coins and rings often bore engraved portraits. In Persia, the shahs maintained the best artists of the day to paint the court and illustrate copies of the Koran and other great books, both religious and secular. Monks in the Middle Ages embellished manuscripts with delicate illuminations and bordered them with a red lead pigment called 'minium' from which the word 'miniature' later evolved. The Elizabethan era was noted for its exquisite portraits on vellum and later, ivory and evokes memories of names such as Holbein, Hilliard, Oliver and others. Easily carried in pocket or locket, they served much as photographs do today and represented a very personal form of art. An exchange of portraits of sons or daughters was found practical by wealthy families who were arranging marriages of their offspring. The portrait further served as a useful identification purpose when affixed to a contract or perhaps a treaty. The westward movement of civilization brought miniaturism and its European heritage to America's shores. Influenced by the freedom and challenges of the New World, it soon began reflecting its changed environment as it sought its new identity. American history is dotted with names of such prominent miniaturists as the Peales, Charles Fraser, Henry Benbridge and Edward Green Malbone. The advent of photography in the 19th century had a devastating effect on miniature portraiture, driving it close to extinction. Miniature art today is experiencing a strong revival of interest - by artists and collectors. Contemporary miniaturists work in a variety of media and explore limitless subject matter and styles.
MAA Exhibits Miniature art is often described as "fine original art done in small scale." A commonly accepted American guideline among many of today's miniaturists is that subjects do not exceed one sixth their natural size. Exceptions are permitted for abstractions or tiny subjects not lending themselves to the "one sixth" application provided they embrace the delicate essence and spirit of miniaturism. MAA's Inaugural Exhibit was held at the Arts Club of Washington, DC in June, 1988. A second public exhibit was held in March, 1989, at the Color Works Club, Hilton Head, South Carolina. A juried Traveling Exhibit of over 40 Signature Members' work was inaugurated in 1989. It has since visited more than 50 cities from coast to coast, bringing to art museums, galleries and cultural organizations the story of contemporary American miniaturism. In February, 1998, the exhibit made its first trip abroad, accepting an invitation by the City of Clearwater to join its "Pavilion in the Sun" at the Winter Olympics in Japan. Over 125,000 visitors passed through the Pavilion. The exhibit opened the new millennium in January at the Museum of Fine Arts, St. Petersburg, Florida. The summer of 2000 saw the exhibit at the 2nd Exhibition of Fine Art in Miniature of the World Federation of Miniaturists in Hobart, Tasmania followed by a three-week appearance in the Florida World Pavilion at the Summer Olympics in Sydney, Australia. The exhibit was displayed during the 3rd Exhibition of Fine Art in Miniature of the World Federation of Miniaturists in the International Gallery of the Smithsonian Institution in Washington, DC in June of 2004. Several MAA artists demonstrated their miniature painting techniques to the public during the exhibition. Mounted on attractive 20" x 24" panels, which are shipped in metal containers, the exhibit is made available by MAA at no cost to art organizations. Scheduling and details may be discussed with coordinator Wes Siegrist. MAA, a nonprofit organization, is dedicated to bringing recognition to artists in the vanguard of restoring this long-neglected aspect of our cultural heritage to its proper stature. It encourages artists to affiliate with major miniature societies and participate in their juried exhibits.
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